[The action takes place in 1848]
"Then there swept past him with a glitter of copper and steel a magnificent landau to which were yoked four horses driven in the Daumont style by two jockeys in velvet vests with gold fringes...
And the town coach dashed towards the Champs-Élysées in the midst of the other vehicles—barouches, britzkas, wurths, tandems, tilburies, dog-carts, tapissières with leather curtains, in which workmen in a jovial mood were singing, or one-horse chaises driven by fathers of families. In victorias crammed with people some young fellows seated on the others' feet let their legs both hang down. Large broughams, which had their seats lined with cloth, carried dowagers fast asleep, or else a splendid machine passed with a seat as simple and coquettish as a dandy's black coat...
At times, the rows of carriages, too closely pressed together, stopped all at the same time in several lines. Then they remained side by side, and their occupants scanned one another. Over the sides of panels adorned with coats-of-arms indifferent glances were cast on the crowd. Eyes full of envy gleamed from the interiors of hackney-coaches... Then, everything set itself in motion once more; the coachmen let go the reins, and lowered their long whips; the horses, excited, shook their curb-chains, and flung foam around them; and the cruppers and the harness getting moist, were smoking with the watery evaporation, through which struggled the rays of the sinking sun. Passing under the Arc de Triomphe, there stretched out at the height of a man, a reddish light, which shed a glittering lustre on the naves of the wheels, the handles of the carriage-doors, the ends of the shafts, and the rings of the carriage-beds..."
Riding through the Bois de Boulogne, painting by Ernest Alexandre Bodoy, circa 1888
© RMN-Grand Palais (domaine de Compiègne) / René-Gabriel Ojéda